tag:blogger.com,1999:blog-5826049157205598760.post3082505804307430639..comments2024-03-20T12:46:10.513-07:00Comments on The Colorist: No Blue Without YellowCasey Klahnhttp://www.blogger.com/profile/08020906666248399435noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-5826049157205598760.post-63237217334393627842007-02-13T12:59:00.000-08:002007-02-13T12:59:00.000-08:00With the bad comes the good....and there was light...With the bad comes the good....and there was light. :) Ohh I have been sooo inspired by Van Gogh's yellow.. that in my works lately I use yellow all the time. :) I mentioned you in my last blog entry. I hope that's ok? I figured that it was because you let me add your link to my blog. :) Anyhoo, great work!Anonymousnoreply@blogger.comtag:blogger.com,1999:blog-5826049157205598760.post-22799044747800101452007-02-13T12:49:00.000-08:002007-02-13T12:49:00.000-08:00VG went on to say to Bernard that he felt that his...VG went on to say to Bernard that he felt that his statement might be "banal". It is rather a no brainer to the experienced artist, but I think also fundamental. Good to remember those fundamentals.<BR/>He was also responding to artists who found little interest in the Saharan sands, which seem monotonous. Then, he offers an art philosophy of lively coloration. <BR/>I picked up his question of whether or not there may be more value to the artist where more sunlight is present. From a colorist perspective, I found more sun to be valuable.<BR/>Do you enjoy the different sun in Italy or California, Katherine, versus dear old London?Casey Klahnhttps://www.blogger.com/profile/08020906666248399435noreply@blogger.comtag:blogger.com,1999:blog-5826049157205598760.post-5223534480193994102007-02-13T05:37:00.000-08:002007-02-13T05:37:00.000-08:00It's a bit like 'there is no light without dark'It's a bit like 'there is no light without dark'Making A Markhttps://www.blogger.com/profile/13509483023337008890noreply@blogger.com