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10 December, 2011
Music as Art - Bob Dylan & Tom Petty
You know I love Bob, and see him as the fine artist of music. I actually saw this concert at the Tacoma Dome, and the music mixing was tremendous. TP&TH were excellent at creating that wall of rock sound fans love.
I wanted to post these before somebody decides they need to come down at YOUTUBE. Enjoy.
01 June, 2009
Yellow River Rose
"(Woody Guthrie's) influence on me was never in inflection or in voice. What drew me to was that hearing his voice, I could tell he was very lonesome, very alone and very lost in his time. That`s why I dug him." Bob Dylan
19 June, 2008
Art Is As Art Does
http://news.bbc.co.uk/1/hi/uk/7445327.stm
While I am more than happy to see actual art critique coming from a newspaper, it is difficult to take this one at face value. No wonder Bob Dylan has been shy to show his artwork. I think he knows it won't be a free ride, and it is inevitable that his paintings will be held up against his song writing and music-making talents as a comparative measure.
I have news: there is no comparison anywhere to Dylan's song writing. He is his own genre, and the word genius is certifiably and forever attached to him in the music world. Now, how does anyone, including the fine artist Bob Dylan, ever stand up to that?
The following vid has Dylan's work in print in a Scottish venue (small and new gallery).
Here we have a Welsh gallery opening, but the proprietor's word-rich interview almost puts the truth to the Beeb's negative spin.
Thanks to Katherine for keeping us up on the Bob Dylan art events.
10 January, 2007
Bob Dylan, Artist (Part Two)
“It rubs me the wrong way, a camera... It's a frightening thing...Cameras make ghosts out of people.”“Don't know how I got to write those songs. Those early songs were almost magically written."
Bob Dylan, in a recent interview aired on the documentary No Direction Home, Martin Scorcesee,Director, 2005.
Does Dylan look back in time upon his early days as a cultural icon, the spokesman of the sixties generation, and sense detachment now from his body of work? I don’t know, but then again, what do any of us “know” about this mysterious and enigmatic artist?
After a near death motorcycle wreck in 1966, when the keen was considered to be at the height of his powers, Bob Dylan retreated from the constant and overbearing glare of public attention. He still has barely let the adoring public see his private self. This mystery lingers, even though he has remained on almost endless tour for the entirety of the 90s and 00s (100 dates a year), and published his memoir, Chronicles: Volume 1, in 2004.
His gnosis is present in his manner of “stream of consciousness” speaking. The quotes are powerful and sharply pointed, but seldom placed in any direct context. And there are volumes upon volumes of words attributed to Bob Dylan, both in the form of lyrics, and in prose and poetry, interviews and autobiographical writing.
Partly, his spiritual side, which was openly and boldly evangelical Christian from his conversion in 1979, is little understood by his generation at large. The sixties and seventies were, after all, not known for the religious piety of it’s art or youth cultures.
“I got in through the door when noboby was watchin’ it. Now that I’m in, they’re gonna’ have a hard time getting’ me back out.”
Artistic courage is taking the stage at the 1965 Newport Folk Festival and going electric; being booed and still taking the same direction because you know it’s what you have to do. It’s your direction. Bob Dylan was all but crucified for standing from his rare perch and uttering something new and original. The Folk music intelligencia were sure that it was blasphemy, but Dylan kept selling tickets and touring and selling records. He knew that his hecklers were still hungry for whatever it was he was bringing, and he carried the day.
Artistic growth and originality is mixing folk and rock, Gaelic and rockabilly. Growth is coming from where he was, and making a country album. Before country was the most popular music of our day. Way before.
And a career that has spanned forty-five years is still vibrant and strong. His new album, Modern Times, just came out. Google XM Satellite Radio. The number 2 post, today, is the show:Theme Time Radio Hour with Bob Dylan.
It’s about “Themes, Dreams and Schemes.” Dylan talks about hair, this week. His hour on baseball is sure to be talked about for some time. Go figure the Bob to take an old venue and create something original and fresh from it.
"The picture you have in your mind of what you're about will come true." Bob Dylan in an Ed Bradley interview in 2005. 
What picture do you have in your mind of “what you’re about”? If you can only keep the faith of the artistic spirit embodied by Dylan and his work, I know good things await.
Next Post: back to visual art.
09 January, 2007
Dylan Quotes

"I define nothing. Not beauty, not patriotism. I take each thing as it is, without prior rules about what it should be."
"If I wasn't Bob Dylan, I'd probably think that Bob Dylan has a lot of answers myself."
“Just because you like my stuff, doesn’t mean I owe you anything.”
Tune in tomorrow for Part Two of my post: Bob Dylan, Artist.
08 January, 2007
Bob Dylan, Artist (Part One)
Bob Dylan, Artist
Although comparisons of fine art (painting, sculpture) to music don’t do much for me, I do find a great deal of inspiration in the life story of Bob Dylan. His commitment to the creativity and originality of his art form is a legacy that all of us should appreciate.
Last year I happened to be on the road and in San Francisco, to take down my one-man show. What better thing to do than to pick up a new Bob Dylan CD for the long road trip back to Spokane? And, luckily, a Fisherman’s Warf Starbucks happened to have it. The new “double album” set that co-released with Martin Scorcesee’s movie of the same name about the bard is called No Direction Home.
The director chose, wisely, to limit the scope of the documentary to the period of Dylan’s meteoric rise to fame, 1961 – 1966. In the early sixties, I was the same age as my own children are now. In the fever pits of Greenwich Village, the young Dylan was absorbing the currents of modern culture and music. He “saw” (or heard) with clarity unmatched, the direction that popular culture was taking. Moreover, he saw where it needed to go! In the old days, we called that a leader. Another phrase would be individual creativity, or maybe even originality. Dylan was, and had, all of that.
Well, I said I don’t do analogies of painting to music. But it isn’t hard to see the parallels between what artists call the “formal” qualities of art, that is shape, form, line, and color, and Dylan's focus on his words and his music. Everything that is decidedly not the subject. Bob Dylan wouldn’t let anyone pin him down to the subjective nature of his work. He was all about the art, the form of the song. He said he was “a song and dance man.”
He claims to have slowed down on cutting edginess, but to my mind he has continued to be the same creative person, if not in the super-popular vanguard.
Next Post: Tune in here soon for the second half of Bob Dylan, Artist, in which I play art critic and quote-monger, and update you on the recent Bob.




