Beware the dominance of computer medias' views of color, dear friends. Ink, mass media, and the light on your computer screen do not reflect the totality of knowledge about color. The "Old School" color understandings that artists have known for a few centuries are not the end-all, be-all of color, either. However, the artist's eye on the two dimensional surface, and his pigments applied there upon, are very different from the use of color in the mass and digital arenas. I'm only saying that the knowledge contained on the Internet regarding color seems to me to be biased towards the digital media.
Here is a great, yet simple interactive lesson on the color wheel. It comes from Iowa State University (I think). Good on them.
Here's one that painters will need to use with some consideration of it's computer bias. But, it could be a slick way to create a rough composition for one's "analogue" artwork. William Lehman has begun working with an e-tablet for drawing. I really like what he's doing and look forward to keeping tabs on his progress. I had a neighbor at an art fair who was doing digital realist art with a stylus directly on the computer screen, and I was most fascinated by it. If I were to go that direction, I can see the possibilities for commercial art. In fact, I can't conceive of not going that direction for commercial, or applied, art.
More to follow on the subject of color theory.
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Abstract Expressionism, Art Criticism, Artists, Colorist Art, Drawing, History, Impressionism, Modern Art, Painting, Pastel, Post Impressionism
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