More Drawings, Especially Degas

I'm feeling the urge to really get busy drawing.  The change of season always does that to me.  Here is a post from the drawing archive.

Drawing Mary

First published November, 2009.

Mary Cassatt, After Degas - detail
@ 32" x 26"
Charcoal
Casey Klahn

At the Easel

I like studying the master works of artists like Edgar Degas. This work is a copy of his well known Portrait of Mary Cassatt.

Master Copies of Degas

Update - Update

You are owed another update of my studio activities. First, pour yourself a cup of coffee.



The studio is a buzz with framing for my upcoming show in California, the Sausalito Art Festival. I'm a little unsure of the number, but I may have around 35 - 40 originals for my upcoming exhibitions.



Have another cup? Dark roast, I hope. For some unknown reason my statistics at The Colorist have gone ballistic. Almost quadrupled on the best days. Much of this uptick is hits to this page. I cannot figure it out.

Other recent posts include 100 Things I Love About Art, and When Bloggers Meet.



Daily posting of miniature pastels, as well as an occasional medium sized work, is now going on at The Colorist Daily. This is the time to buy a small work under $100.



My search for gallery space and exhibitions may be yielding some fruit soon. I'll keep you posted when dates are firmed up. The Hoquiam River exhibition is penciled in for September 2011.



On the easels, I am developing my voice as a figure artist by studying the masters. Da Vinci and Degas are my current muses. I often post those at Pastel, but you may see some here, soon.

Two books I am reading are: Master Class in Figure Drawing and Degas, By Himself. Hale's classic instruction in Master Class has me drawing various parts of anatomy an area at a time. I am learning more stuff about the rib cage than I ever thought existed. My Nurse Practitioner wife brought home a medical anatomy book as reference material, too.




I continue to thrill at the works of Edgar Degas. His familiarity with proportion and anatomy are only the beginning. I never realized how much he departs from the real before. All because his gestures, forms and movement are so believable. The book - mine is published by Barnes & Noble Books - is richly illustrated, has a woven binding and nice, heavyweight paper. Lovely.

Edgar Degas
Dancer

Finally, in the subject of figures, our blogger friend Astrid Volquardsen, has posted one of her recent figure paintings: Eva in the Bath. Well worth your look.

Becoming Better

Intent, After Degas
@ 7" x 5"
Charcoal & Pastel
Casey Klahn

Degas Figures

One way for me to become a better artist is to study and copy master works. I am more interested in Degas' figures every time I look at them. When I copy them, I get a sense of his real mastery of the human form. He challenges me to get the stance and the attitude right. Above is a master study from a Degas painting. The photo, again, is from my point and shoot. I will provide a better photo when time allows.

This is the second one of these I have done copying Degas, and I noticed that he likes a dark area above the head. I am trying to see if it works for me, and I wonder if that element has more depth in real life versus the jpeg or book photo that I have.

Goals

The intent of my next few posts about reviewing my goals will not be to dissect each artist's trait one by one. See this reference for this thread. I just want to think about the words and see where to go next. Maybe some of these will remain on my list, but my new list will contain other traits I am thinking about. I aspire to improve my art, first and foremost. Are there some attitudes and behaviors that may help me grow as an artist?

Stay tuned, colorist readers. Speaking of reading The Colorist, I have made a little badge for those bloggers who want to brag about this (see below). I don't anticipate that artist bloggers will post this, since they have links to me already. But, my friends in other blog genres may like to post this handsome bling on their blogs - it's already sized to fit. Thanks!

Master Study and a ning Community

Master Copy
@ 15" x 25"
Conte, Compressed Charcoal, Pastel
Casey Klahn

This is a somewhat focused shot taken in my studio with my point and shoot camera. I'll post a better exposure when I get the professional photographer in there. It is a master copy of a drawing by you-know-who. I say that, anymore, because I cringe when I see my own art on the Google Image page one or two when I query another artist's name. I hate that.

I'm still suffering the cold and flu season infections - this is #3 in a row. Ugh. This will probably keep me out of the studio, today, and I just started what will probably be a break-through piece for one of my new series. Oh well, I think I need to transfer it to a new sheet of paper, anyway. Better left until I can get well.


Visit The Art of the Landscape


Leaving the figure behind for now, I have been invited to join The Art of the Landscape, which is a ning community that was started by noted artist blogger, Katherine Tyrrell (Making a Mark). Katherine was smart to add a blog to that: art-landscape.blogspot (The Art of the Landscape). Part of the concept is to raise the profile of landscape art, which is ubiquitous, but sometimes has gotten the short end of the stick in the "Art World." The tag line for this is "learning more about landscape art - by exploring, sharing and doing." I love the interactive theory, here, which describes real-world undertakings, not just ether-net stuff.

Here's to landscape art - long may it thrive!

Master Copies

Mary Cassatt, After Degas - detail
@ 32" x 26"
Charcoal
Casey Klahn

At the Easel

I like studying the master works of artists like Edgar Degas. This work is a copy of his well known Portrait of Mary Cassatt.