Violet World

Violet Oil Drum
7.5" x 10.5"
Soft Pastel
Casey Klahn
Sold

Uh Oh. This realist stuff is getting to be habit forming. Well, maybe we can consider this one "in-between" my New School Color style, and regular landscape fare. It's certainly inspired by local scenery and color, and it did derive from a plein air sketch.

On the home front, we are still snowed in and a number of roads are closed. Apparently a record amount in a 24 hour cycle. We had to postpone my operation which was to have been next week. Dang.

Snow Headaches & Then Some

A foot and a half of snow in a day is nothing to sneeze at! On the good side, my wife has been stuck at home to watch the kids and freeing me up to be in the studio.

On the bad side, I am chasing deadlines, and at the same time fighting nausea and pain in the run-up to my operation next month. This morning, I had to leave the studio and precious studio time to take a narcotic pain med and lay down. Then the snow plow came, and my wife went off to work in Spokane. Ug.

I just need one or two more pastel works to have a photo session and try to hit these jury deadlines by the end of the month!

BTW, we also suffered an internet outage for a day and a half. I picture some tech guy sitting in a control room, seeing the Klahn household using too much bandwidth, and lowering the flue on our internet feed. We had no recourse but to pay the extortion money for an upgrade and more bandwidth. I guess I've been in the studio so much running the internet radio that it ate up all our allowable service. Or whatever! Get 'yer hand off that flue, now, buddy. We paid the extra money.

Wolf Kahn Studio Visit Film - Part 2

We last linked to Wolf Kahn's studio here.

The second part is now available...Enjoy.

What I liked was his Cinderella Story of neglect to stardom.

Direction

The Heins' Farm
7.5" 15"
Casey Klahn
Private Collection

This piece, which actually began as a plein air pastel, is my current inspiration. It's unusual because on-sight is not my typical method. This particular farmstead, which is down the road from me and belongs to the farmers who farmed my land, is an artist's delight. They complain that photographers stop on the highway to take pictures of it, and snarl the traffic.

I am cropping little areas out of it to do architectural subjects. In reality, the buildings are places to hang colors.

Seattle Art Blog

Here is some exposure at the Seattle Art Blog which I bring to you a little late. But my art is still featured at the Karlson/Gray Gallery for the balance of the month.

Studio New

In the studio. Looks like I may be developing architectural images for my jury slides this year. Remember the barn? In that vein.

Even my lovely wife is snowed in today, as her SUV is stuck a quarter mile up the road in a snow drift. The county will get us plowed when they get us plowed. We have had a modest snow cover, plus a little fresh. Then comes the day of high winds and you get dunes of snow deposited on your roads.

To add insult to injury, our furnace decided to quit last night about dinner time! Did I mention it's the coldest spell of the year so far (10 degrees F)? The propane fireplace had also quit that morning, due to a north wind blowing out the pilot.

Luckily, I got the fireplace back in action and then we realized that we had the studio as another back up! Big, warm and cozy. And that wood paneling is just the ticket to make you think you're camped out.

Now, back to the studio for more art.

Pastel

Pure Pigment, Paste & Passion - Casey Klahn on the Pastel Medium

All of the action is over at my other blog, pastelsblog dot blogspot dot com, due to my "phase" of creating more realist works. That is, rather than New School Color works, you see.

I did create a keeper in the New School Color genre (you know - my whacked out colorist abstracted landscapes) but don't have it photographed yet. I'm waiting to use the tungsten lights and the D-80 set-up for that jewel, since color accuracy is critical in recording these. Even then, I am only just barely satisfied with the image produced. The evil photograph will never replicate the colorist pastel's myriad of colors and values. Even by shining a light through the back, as is done here on the PC screen.

Now, on a personal note, I have been suffering some health problems just like I did @ two years ago before my Italy trip and had an operation. Long time readers remember that business. No cancer, so calm down. Just pain. It's a "man" thing, to steal a phrase.

So, that's why my posts at The Colorist have been a bit thin lately. On the good side, my physician has offered to do an operation in barter for a painting. His idea. On the negative side, the pain and recovery will be weeks. If it's anything like the last one (picture me in Italy with intense pain) it will knock me out of a few art fairs.

It's hard to say if my studio time will be wiped out, reduced, or maybe increased. And blogging may be curtailed (4-6 weeks, but I'm betting longer) or it may be my only outlet for all things art. Who knows?

Anyway, I haven't decided to have the op, yet, so we'll see what happens. It's not every day you get an operation in barter for an artwork, but the dollar value turns out to be equal. BTW, he's the best doctor around and I've had a number of these guys. And, usually, I enjoy pain tremendously, but in this case I may have to take the bigger pain to relieve the long term pain.

See These new Works @ Pastel

Studio Visit with Wolf Kahn

Bell Tower Process Sketch
Casey Klahn

Alyson Stanfield, being a good friend, passed this interview link to me the other day. It comes just in time for some much needed inspiration. And, you'd better believe I hung on every word that Wolf Kahn had to say, and drank up every corner of the great man's studio with my eyes. Thanks, NewArtTV. Let's get that part 2 in the can real soon!

One thing that I gleaned from his studio tour was his willingness to show his older works. He even turns a canvas around to reveal the rejected one on the back! Gutsy.

Alyson's ArtBizBlog.

Pencil Me

Pencil Me
Digital Image
Casey Klahn

Somewhere I saw a self portrait "call", and so I thought about this Photoshop. I decided to post it here and think about a direction for a self portrait.

Recently, I began an inventory on how many posts I was doing about myself. That's the big complaint about blog content, you see. My first results for a period of time showed 1/3rd of the posts were either fully or nominally about myself. I was happy with that, since my goal is to keep it broad here. Anyway, excuse the flagrant selfishness of this one, but it is a self portrait you know!

Studio Progress

What's on my desk? Right now a big mess, that's what! My laptop comes and goes from the house, but the peripherals stay- a printer and a scanner. And I am enjoying a decent speaker set, complete with woofer, that Santa gifted for Christmas. It produces sound from the laptop computer, and it "makes" the kids' whole studio experience.

I am happy to be fielding a heavy duty "L"-shaped desk that was surplussed from the Spokane Federal Building. On the floor you see the new vinyl covering, and under it lies the refurbished wood flooring.


While I'm thinking about decorating the new studio, I am getting some art created. My time is not my own, of course, and won't be until both children are in school every week day. But, I am training my daughter ( who is a part-time pre-schooler) to play and nap in the studio while I work.

And slowly, things are getting done. I think I logged three days of multi-hour sessions out here this week. Two pastels are done and in the frame. After the first one was complete, I actually found myself back in the house, doing my Mr. Mom routine, and I had the strangest feeling I'd had in some time. Satisfaction. Contentment.

Next: I'll tour you around my easels and palette and storage equipment. Thanks for the numerous reactions to my decorating call, which can be seen in the comments for the post: Studio Project. I am still seeking help on this front. If you don't respond with some good studio decoration ideas, dear readers, I may end up with this...

Great Man's Passing

"I have moderate abilities but I combine these with a good deal of determination and I rather like to succeed," Sir Edmund Hillary, of Everest (1919 - 2008). R.I.P.

I have had the pleasure of meeting several Everest summiters, by virtue of associations in the Seattle area. Probably over a half dozen, and every one of them I called by first name and enjoyed the conviviality of shared bonds. Three are now deceased.

Not that I will summit Everest, but at least I share Sir Edmund's self creed from the quote above.

Do you have a "Mount Everest" that you intend to conquer?

Studio Project

Here we have the new studio space. These are the bare bones pictures of about a week ago. I have actually fired 'er up and am creating, now. A wise man would have finished the base boards, thresholds. etc. But, I couldn't wait.

On My Desk dot Blogspot will be getting a guest post from me in the near future (if they'll accept it).

I'm thinking about opening a thread for your help decorating this big studio space. Right now, the very "sixties" wood paneling is the motif major. Help me figure out what to do, blogger friends.

If you don't act now, I will be hanging army canteens and head mounts of Wild Turkey on the walls...

Barn Sketch

Winter, Barn Look-Through
10" x 10"
Graphite on Sketch Paper
Casey Klahn

Found in my new studio: an old sketchbook, and a handy scanner. Imagine that.

More Book Reports

The Artist's Realities, Philosophies of Art (2004), Mark Rothko, Yale University Press, New Haven, CT.

Rothko's new book was among the more influential books that I read last year. I have yet to fully internalize the heavy, heavy philosophy MR shares in his writings. That might take a lifetime, anyway.

My reports on The Artist's Reality can be found here, and more under the label Mark Rothko.


The Yellow House, Van Gogh, Gauguin, and Nine Turbulent Weeks in Arles (2006), Martin Gayford, Little, Brown and Company, New York.

This engrossing book I also covered at great length in this blog. The entertaining and silly review I posted here.


American Art Collector, from Alcove Books of Berkeley, CA continues to be a profitable resource for showcasing my art. It's a handsome collection of juried art, crafts and photography.


Also, consider:

Peggy Guggenheim & Frederick Kiesler, The Story of Art of This Century (2004), by Davidson, Rylands, editors, Guggenheim Museum Publications. Link.

I don't recall finishing this one yet, but I did notice the Peggy Guggenheim Collection in Venice took a peek at this blog post. I about spit my coffee on the laptop screen when I saw that. To all those concerned at the museum, if you see this post, I know you're either going to send me a summons, or a purchase order. I would prefer the latter.

Books I Read This Year

Casey Klahn (2007), Casey Klahn, Colorist American Landscapes, Pastel Works.
Self Published.

Hmmnn. What to say about this one? I certainly agreed with the author 99.999% of the time, and I really dug the art images. The book is 11" x 8.5" and features 25 artworks, both full color pastels and drawings, as well as candids and petite essays on my art philosophy and process. I think I still have about 6 -7 of these sitting in the studio. If you contact me, I will ship a book/books to you for $30.00 each plus tax and postage.

When I do another one this year, I'll try to have more pages and images, as I felt that it was a little thin. I will probably repeat the spiffy essays with art approach, and I hope to add some actual blog rips as well.

To Continue...

Books

Time, once again, for my annual report on art books read in the previous year.



Juliette Aristides (Link), 2006
Classic Drawing Atelier,
A Contemporary Guide to Traditional Studio Practice
Watson-Guptill, New York

I just like the way that name sounds on the lips: "Atelier".

No doubt one of the best books out there for going back to the figure. A great boost for me, but weighted down by unnecessary dogma. I "get" that there were great realist artists functioning when the abstractionists were tearing at the fabric of art and culture. But, I don't see the need for a dialectic of "this versus that". I love Rothko, and I love Aristides' work.

This author's book isn't as dogmatic in presentation as others in the contemporary realist movement, but she does impress upon you that the lighted path is under the tutelage of a master, in an academic setting, and over the course of something like 3 -4 years. It left me asking, "don't you have an online or a correspondence course for that?" I could dream of moving the family to Florence, but it's not going to happen.

In the drawing book review meme, I give it 4 Pencils. And, even though I have mildly criticized this book, I will be running out to get the next one: Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice, by Aristides. How's my Italian going...?
Another review.




Anthony J. Ryder (Link), 1999
The Artist's Complete Guide to Figure Drawing
A Contemporary Perspective on the Classical Tradition
Watson-Guptill, New York

Well organized for the beginner, but very beneficial to the working artist. Nicely didactic, without being academic. Thorough.

I am not finished reading this one, yet, so a review is forthcoming.

I'll have to continue with the next four books later. Thanks for reading!

Business & Holiday

We're on a business and holiday break to the coast. I delivered my art to the Karlson/Gray Gallery Saturday. Back to posting in a few days.

Five Things You Don't Know About me

Link
My Grandfather, Max Klahn, is the young boy pictured @ the top right. See a story about him below. Next to him at his left are Henry, my Great Grandfather and Charlotte, my Great Grandmother. Location: Quillayute Prairie, WA. Date: 1895. This God-forsaken place is about the rainiest spot in the US, and less than 5 miles inland from the Pacific Ocean. And we love it there.

Here is my response to the tag meme where I'm supposed to name Five Things You Don't Know About Me. I was tagged by Alyson and when I read my tag mates' links I was rather shocked to be in such classy company.

Ahem:
I pre-heat my coffee cup in the morning before I put the coffee in.

I was an Infantry Captain in the Army National Guard.


My German immigrant Grandfather, Max Klahn (1879-1937), periodically walked over a hundred miles down the rugged Washington Coastline to go to work during the Great Depression. There was no road whatsoever, and the beach hiking involved paying Indians to raft you across the rivers that you couldn't ford. He had thirteen children.


My father, maternal grandfather, older brother and I used to go to work in the woods (AKA logging) when I was four years old. I remember mud-holes that would mire us, and nearly swallow the trucks.


On our honeymoon, Lorie and I were bumped upstairs at the grandest hotel in Seattle because I knew someone in management there. It turned out to be the Presidential Suite, their best room. The loose-lipped luggage boy let me know that the last two to stay in the room were: Janet Jackson, and before that the Sultan of Brunei. The Sultan didn't stay, though, because there was no kitchen. Yeah, but there was a bathroom the size of a semi. Oh, I forgot - there were two of those!

I think I've only been tagged a couple of times, so I'm not tired of them like some of you are. Anyway, if you are wanting to opt out, please do so. Otherwise, my victims are:

Kim Coles
Charley Parker
Gabriella Jonsson
Margaret Dyer
Gesa Helms

Moleskine Project Blog

My Moleskine and Library Table

Here's your call, Moleskiners! Get your sketch linked at the nifty blog called MoleskineProject, and while you're doing that I'll be trying to figure out where my Moleskine is!

While I'm at it, you might wish to visit the very cool Sully's Design Studio, which is the blog of Kim Coles of Indiana. Her link is: I'm With Sully. I liked her top 25 movies post for the pure fluff of it - and her fave is a John Wayne movie that my father also favored.

Future Perfect?

The only thing perfect in the future may be the second coming of the Lord Jesus. All else is shifting sand, as the old hymn declares. Looking back on this past year, I never could have predicted the events that transpired in my artist life. What will transpire in the next year?

I do know the directions that my art will take in the near future. You guessed it: more color! I hear the voice of Tim Allen (Tim the Tool Man) growling, "What this baby needs is more COLOR!!! Awroooh-arrwrr!" My heart and soul is still going that way, and I have yet to discover the last color composition that my pigments have to offer.

New hope abounds for me, especially since the new art studio is suddenly "up", as they say in the mechanic's shop. Not "up & running" yet, though. The running of my new studio will have to be configured on a dream and a prayer. I haven't been in a regular studio pattern for months. Somehow, a lifetime of art habits will have to push to the front again. A little discipline probably wouldn't hurt, either.

I am thankful that my little kids are growing bigger and have interests that only their young childhoods can contain. Somehow I have to shoe-horn in a studio schedule that works on a weekly basis. I can't wait until next year when they will both be at the elementary school and I will have some full days out of the house (and across the yard in the mega-studio).

New opportunities abound. There will be new gallery contacts and the development of the one's I already have. I want to budget for a web designer to take my web site to the next level, since it has started bringing in contacts for me. More artistic development for me in the direction of the figure is at hand.

At The Colorist, my main goal is to tighten-up my writing and themes. The reason for this is that I want to try another self-published book based on the blog and on my Colorist Art. And, I feel that better threads or topics more fully developed may make a difference in the "information overload" environment of the blog world.

The posting of art should become more frequent. I am in negotiations with my photographer to develop a permanent system in the new studio for taking the images.

Interactivity will increase for this blog in the coming year. Do you want to participate in a guest post? Others have pioneered the idea of allowing a guest blogger to have their day in the sun, and I like that idea. The only guidance, I think, will be to fulfill the themes of the Colorist. Perhaps a group of Colorist artists may develop in the near future.

Admin: Thanks to Alyson Stanfield for tagging me. I will be writing my "5 things about me you don't know" in the near future.

Linus Has it Figured Out

January - Perspectives on the Landscape - Karlson/Gray Gallery

The Karlson/Gray Gallery, in the Seattle-area town of Langley, WA, is posting it's Perspectives on the Landscape exhibit. The hanging will be January 4-30, 2008.

The following blurb was posted at the KGG website:

Casey Klahn, of Davenport, WA is the invitational artist in the show. His pastel work focuses on a few intuitive color choices and simple, linear shapes. Other artists in the show include Michael Croman, Doug Ealley, Maryanne Gardener, James Hardman, Pete Jordan, Bruce Morrow, Cheri O’Brien, Karen Schroeder, and Beverly Shaw Starkovich.

Those who can make it will be in for a treat.

World Studio News

Thanks to Katherine for posting about some new studios, mine included, at Making a Mark. I was hoping to do a new series on the mega-space, but am worried that the whole thing is moving along too quickly!

Anniversary

For My Readers - Click to Activate Gif

Happy birthday, The Colorist readers. Thanks for giving this blog legs, and for your kind input over the course of the year.

For My Fellow Bloggers - Click to Activate Gif

For my fellow art bloggers and fellow bloggers-at-large, here's a hearty thank you. The blogroll links most of you, and I feel that the community we share is a great, and a new, venue for artists' expression.

Blogging

When I began this blog a year ago today, I had an almost morbid fear of computers. We had that fear in the pre-PC days and the feeling was immortalized on film by Stanley Kubrick. "Open the pod bay doors, HAL..." (Then, your blood runs cold! See the scene at You Tube, if you have an extra 9 minutes to burn on this creepy, suspenseful clip.

The world that I was born into was a completely different one than we now inhabit. The short story of that is there were no personal computers. Can you imagine? A current Country song has some great verses to explain this whole matrix change we "old guys" feel. Bucky Covington sings, "We had three TV channels you got up to change", and reflects on how my childhood in the fifties and sixties was "Not just a different time, it was a different world."

In the course of the year, I have not mastered, but at least been able to function on this template style blog. I got competent and confident enough to also put up my website in a template site. I will credit two resources for my blog's "look". One: my fellow art bloggers. I observed what they were using as far as tools are concerned, and chose the few that seemed efficient and productive. Second: help sites like Dummie's Guide. There, I learned how to add headers to my HTML and much more. Yes, it is just cut & paste, but for a non-science guy, it is an education.

The other growth area for me has been learning to use Photoshop. It is an essential tool for art fair artists, such as myself, and I would hazard to say that it will become an essential for any fine artist who is starting out today. I began by posting humorously bad photoshops of myself and Vincent van Gogh, and have enough experience with this tool to accomplish a number of projects with this incredible tool. Keep in mind I had heard that universities offer whole degrees in Photoshop!

My Advice? Write from your own muse, and do this habitually. Add a photo or artwork on every post. For heaven's sake, use the language! Spell check! Read your post for grammar and syntax! Thuh-ankk yyyoouuu, claaaaass.

Next: The future at The Colorist.

One Year of Blogging

Casey Klahn

One year of blogging is a cause for celebration. And reflection. And I also think it's a good time for visualizing the next year.

Thoughts about this blog:

The Colorist has logged about 295 posts in the last 364 days. During that time, it has grown and defined itself to be a good quality blog for art content, my personal views, and the broader ideas of colorist art. The first description of The Colorist went something like, "A newsletter for patrons of colorist art, without the artspeak".

Now, the banner reads, "New School Color - Casey Klahn". The subject tags immediately below say, "Abstract Expressionism, Art Criticism, Artists, Colorist Art, Drawing, History, Impressionism, Modern Art, Painting, Pastel, Post Impressionism".

The readership here, though fairly modest in quantity, do boast a high I.Q. I am grateful for you and for your willingness to learn and observe colorist art, art topics in general and my own artwork in particular.

On a good day, I may see 100 - 125 pageloads, but an average of the year is @ 65. Visitor counts are about 37 - 65 per day. I have evidence of more readership that Statcounter doesn't pick up, so I would say to those looking here trying to learn about successful blogging, don't trust the stats too closely. There are hidden referrers and filters involved. If you need big stats, you will have to post daily. That isn't my goal, and also not a realistic expectation for a Mr. Mom to young kids.

How am I stacking up to my self-established goals here? I think I'll award myself an A+. The resolved commitment to post regularly, and the expansion of my own artistic statement are probably the best highlights of the past year. Equal to that is the fellowship with like-minded art lovers. The readership here is probably half artists and the other half are not, but in many ways the art lover is the equal to the artist in making art live. Rothko has said that his art requires the spectator, and I hope that idea will be a bigger part of his legacy. It's a much better idea than Warhol's pull-quote about "fifteen minutes of fame," IMHO.

If you follow The Colorist closely, you know that my studio has been out of action for the better part of the past year. I am just now getting my new free-standing studio in shape. It has been a challenge to keep floating along on few postings of my own artworks. I see that my Label of "My Artwork" has been used 51 times, but I estimate that unique artwork postings only number about 30 or so. Drawings probably number about 20 (my PC is slow enough that I won't take the time now to count them all).

We are photo poor here at the Klahn studio, but during the past year I did manage to sell more art (dollar-wise) than ever before. I put it that way because my earlier days of selling art involved more pieces sold at lesser prices. I usually have about 50 pastels framed and ready to sell, but I don't get them all recorded properly. However, improvement in that department is happening, too.

One year ago I knew that my studio would be inactive while I dismantled the old and worked on the new. I had a feeling that it would be a slow process, and so I set this as a year of growth in other directions. Through the venue of this blog, my knowledge of art history and also of contemporary art has increased. My ability to define my own art in words has increased many, many times over. Now my new studio is almost ready to be productive, and that feels like book-ends to this past year.

As far as the goals for The Colorist are concerned, my desire has been to not be too focused on myself (Protestant values in action), but to have an outlet for evolving my written statement. The term "colorist art" is vague, and a perfect direction for an artist to grow new and unique work. Have I defined colorism yet? No. But I think I'm moving in the right direction. Alyson Stanfield has gently challenged me to write my "Colorist Manifesto", and she is completely right that there is room for more understanding of this contemporary art phenomenon.

On my goal list is to write the Wikipedia entry on new colorist art. The one there now on the subject: Colorist, while reasonably okay, is still lacking a good understanding of this movement. After that, the manifesto should be written. This blog's interaction with all of you has given me direction as far as the general and specific understanding of color and art. It won't be academic writing, but it will add at least one more kernel of insight into new color art.

It looks like I'll have to finish this thread with another post or two. I want to cover blogging in general and the future of The Colorist.

Winter Wonderland

The Studio in Snow, Looking North

The new studio, as seen in the snow, with the long road going north into wilderness. Sort of a metaphor, huh? With the main room floor to finish, the skirting to add, an awning or porch for this back door, and uncounted other tasks ahead, will I ever find my pace at being an artist in this new space?

Stay tuned for interior shots in the next few days. The main room, or studio proper, is getting a new floor as the original one had some water damage. Not to mention the green shag carpet that I got rid of. I'm doing it myself, and getting that boy level is a fussy job.

Nothing at all would've happened on the trailer-studio without my father-in-law and brother-in-law, who live close and farm wheat. Farmers, in case you didn't know it, can do anything they need to with machinery and tools. Gotta love that. And I am appreciative, too.

Winter Panorama

New Studio Project in Winter
Click on to See Larger Image

Those of you who reside in cities often have a limited understanding of the rural lifestyle. New Yorkers think we still live in log forts out here and trade with the Indians. Volcanoes explode periodically.

This photo will probably not disabuse you of your idealized view of us out here in the hinterlands. Eastern Washington is very thinly populated. Where I live, man is far, far outnumbered by North American Whitetail Deer and Coyotes.


This panorama features my new studio, which is a converted 14 foot by 60 foot house trailer. How redneck can you get? Robyn Sinclair has the most beautiful, Old World, little studio space in Tuscan Italy. I have the biggest space one can imagine, in the New World wilderness. Well, it has its own beauty.

Darkness Gone?

New Memorial Design, USS Oklahoma

USS Oklahoma, Pearl Harbor

The author William Manchester wrote a cracking good book, his personal memoir of his USMC service in the Pacific, Goodbye Darkness, a Memoir of the Pacific War, 1980. If you're after a dynamic read about the Pacific Theater battles of WWII, this is your best choice. He skillfully weaves himself throughout all of the island campaigns, even though his participation was limited to three of the island battles. A great idea by a great author and an even greater military man, having earned the Navy Cross. (The Navy Cross medal was designed by James Fraser, who sculpted The End of the Trail, as well)

Today we remember during Pearl Harbor Day the treacherous attack by Japan on the US fleet in Hawaii back in 1941. That may seem like an eternity ago for my younger readers, but consider that our veterans of this battle still walk among us. I can't miss them because they stand about twelve foot tall (in my mind's eye). And those are the clerk typists and dining room orderlies. The guys with combat jobs stand even taller. You might take a little time today to consider the painful and sacrificial toil of that Greatest Generation.

On the art front, the design for a new memorial has been made. I gather that Kevin King is the designer. The battleship USS Oklahoma was sunk in that Dec. 7th battle, along with the better known USS Arizona and several other capitol warships. Here's my congratulations for this memorial to the veterans of that infamous day and that courageous ship. Their strife is honored by many today.

Bloggers on Pearl Harbor Day.

Electricity & An Artist Interview

New electrical panel to the new studio.

There is now electricity to my new studio! Woo Hoo! Look out, art world! More on my new studio project soon.

If you don't read my other blog, Pastel, you haven't heard about the interview I did for Giselle Borzov at Art Now. There is much new to read there about Colorist art that you haven't read at this blog, so pull up a cup of tea and enjoy reading. The collage above is a collection of my art that Giselle curated for her article. Interesting what another person will choose to represent one's body of work. I am pleased.

Fine Crafts

Pottery*

Here at the Klahn household, we collect fine crafts. Raku pottery is our favorite, and handmade quilts are even-up with that. My goal is to start on an art glass collection.

All of this to say that I love Fine Crafts, but haven't had any links to craft blogs in my blogroll. I did try to right this a while back, and went searching for the websites/blogs of my friends who do pottery, and not a single one had a web presence. So, I put the project on hold.

Today you will see the beginnings of my craft links in my blogroll area. Hoo-ray for Cynthia! Anyone know how to shrink these data fields on the right margin of the blog? I want to keep the links big, but wish to shrink/truncate my labels, which look way out of control.

Admin Note:

Laketrees has listed your favorite blog, The Colorist, in the Top 40 of the Top 101 Artist's Blogs. I still don't know how she compiles her data, but I'll take it.

* Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled "GNU Free Documentation License".

Art Links

It looks as if the evils of linking in a gratuitous fashion are many. It has been termed farming, and some definitions of this can be found here and here. Although placing one's blogroll into your posts seems more targeted and on-topic than the strict definitions of blind link exchanges, I also see that Blogger and Google may cut with a dull knife, if you will.

Because of a complaint about my Art Link Letter, I will discontinue its use. Sorry to those of you who may have felt uncomfortable or feared damage from having been in my link cloud at the ends of my posts.

Content should be the basis of blogging, and especially original content. And someday I'll figure out the technology part of this gizmo called the Internet...

It still remains to be seen if I will start a blog or website of art links. It occurs to me that a need exists, but that there are mysterious pitfalls that accompany the execution aspects of these things.

Tilt!

Winter
10.5" x 7.5"
Soft Pastel
Casey Klahn

Before the era of the personal computer, we used to describe being overloaded by yelling: "tilt!" It had something to do with arcade games. And, it describes my artist's life at the moment. Gallery show in a month, magazine interview, slide deadlines, electricity projects in my new studio and in my home at the same time, winter storms coming through, and on and on.

Yesterday we were sans the Internet due to weather, and also had a blackout for a couple of hours. Just when I had to change into wool socks, the lights came back on.

On the near horizon in blogland, I want to offer the following content:

Northwest School artists, such as Tobey and Callahan
Drawing book reviews of the Classical Drawing Atelier and Figure Drawing, Anthony Ryder
Drawing projects in my Moleskine and also "Cast" studies of my deer skull collection
A whole separate list for Pastel
The Colorist 1-year Anniversary

Meanwhile, my "Link Farm" experiment is going very well with the Art Link Letter generating page loads and Technorati authority like a charm. But don't worry, I still intend to offer content worthy of your readership. As a for instance, the artwork posted today is posted at this blog for the first time.

Colour Lens

In the last month, I have been posting some general information about color theory. The take home message that I tried to bring was that the Internet is prejudiced, or at least heavily weighted, towards the colors that computers are limited to. The color theory ("additive") that the CRT, and much of print media, is slaved to is RedGreenBlue.

Take this post, in particular. In it, I attempt to indict the bias of illuminated screens. Possibly my best support is provided by Jusko's link where he supports my argument for the artist to keep the RedYellowBlue color theory in mind before you buy the RGB/CMYK theories first.

There is nothing "subtractive" about adding one hued pigment to another to create a third hue. Perhaps there is subtraction if you begin with the dominant idea of light-based "mixing" created in your computer or camera.

Theories based on light rather than human perception are what I call "light-dominant" theories. I prefer to think of the experiential side of human interaction with light. Stone age man did not crack a laptop computer, he rubbed colors on stone. BTW, he mixed the pigments in hollowed out "mortars" of stone.

Regarding light versus perception, see the following quote from the Wiki on color:

These physical or physiological quantifications of color, however, do not fully explain the psychophysical perception of color appearance.

Clearly the digital and information era is the dominant paradigm of our day, and art created in the context of this era is every bit as new and legitimate and creative as the "Old School" methods of painting ever were in past eras of history.

But tearing down or redacting the old does no good for advancement. That dialectic is tired and disproven. Painting is the foundation of visual art and must remain intact in it's theories, not re-written or ignored by the newest thing.

The Wikipedia entry on the Munsell Theory has a fine example of the computer's inherent inability to reproduce artist's colors here:

Note that the Munsell Book of Color contains more color samples than this chart for both 5PB and 5Y (particularly bright yellows, up to 5Y 9/20; that is twice as much chroma the 5Y 8/10 square to the left), however they are not reproducible in the sRGB color space, which has a limited color gamut designed to match that of televisions and computer displays.

Now, with all of that in mind, I have found after my series on color theory has been written a new, wonderful resource for all things color theory. See Colour - Resources for Artists, a new Squidoo Lens by Katherine Tyrrell.

Her blurb on the lens is here:

This lens is assembling links to information and advice about colour and how to understand and analyse it as an artist. Also listed are various books concerned with colour.

And for goodness sake, crack a book about color and don't rely on the Internet only! Katherine has listed many books throughout her wonderful lens, and also I would prefer the links that are from artist's paint manufacturers, such as Gamblin. Put another way: just take all Internet sights about color theory with a grain of salt.

Admin Note:

My Technorati Authority did dip to 20 on the wear-out of 90 day old links, but I picked up 2 more links and am now at 21. Probably I had another 1 wear out, for a net gain of 1.

On the positive side of things, I have been listed in the Top 101 Artist's Blogs, apparently on the authority of Technorati. The list is compiled at Laketrees.blogspot. And, I have no idea how she conducts her research to rank these Technorati-listed art site, but as they say, "there you have it".