03 October, 2012

Eight Italian Buildings


Available


Villa Through the Trees
8.8" x 7.2," Pastel, Casey Klahn
$325/unframed




Garda Heights
5" x 7," Pastel, Casey Klahn
$175/unframed



Belvedere Yellow
4.5" x 6.5," Pastel, Casey Klahn
$125/unframed



Hotel Sol, Italy
7.5" x 6.5," Pastel, Casey Klahn
$250/unframed




 Little House in La Ca
5.6" x 6.2," Pastel, Casey Klahn
$250/framed




Looking South in Riva
10.25" x 7.25," Pastel, Casey Klahn
$400/unframed



Italian Building Sketch
4" x 4.5," Pastel, Casey Klahn
$50/unframed



 White Facade, Sketch
8" x 5," Pastel, Casey Klahn
$225/unframed 


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Eight Italian Buildings - Flat File Sale

With the only exception being Little House in La Ca, these are all unframed works. 

How to purchase.




La Ca, framed in maple.



01 October, 2012

Report & Matisse Quote



Harvest is Underway

Thanks to my readers and patrons for your kind attention to my Flat File Sale.  It isn't over, yet, but the weekend was busy and several framed and unframed works are going out in the mail.  As I said on Facebook, any artist is blessed to have an audience, and I appreciate mine very much.

There will be some topical sets of images, such as Italian scenes, and also a few inexpensive works to show you this week.  Also, I will cobble together an offering of framed works that are available to purchase.  Maybe I will do that twice, since I have different sizes available.  Stay tuned for these, please.




Traffic here at The Colorist has been sky high, and that is because of daily posting about this event, with much art to see, and this popular feature of artist Cameron Hampton.  Also, for reasons I haven't figured out, this post about the Ukranian artist Sergiy Aliev-Kovyka has gotten new attention.  I love his free style with the pencil.

My new web site has gotten lots of attention.  It directs you to this portfolio page, where currently available works can be seen.  Another reason for high traffic here at The Colorist is that university students are back on campus.

Finally, a quote from the master, Henri Matisse:

There are so many things in art, beginning with art itself, that one doesn't understand.  A painter doesn't see everything that he has put into his painting.  It is other people who find these treasures in it, one by one, and the richer a painting is in surprises of this sort, in treasures, the greater its author.





And no blog post is complete without one of these: the kitty.  My sincere thanks to the kind readers of The Colorist!




Harvest Photo: Lorie Klahn.

30 September, 2012

Pastel Field


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     Pastel Field 
11.25" x 16," Pastel & Charcoal 
Casey Klahn
$1300 plus shipping and tax, Framed.
(Domestic shipping @ $40 in Airfloat  StrongBox)



This larger work is a premium size and also available at this time.  How to inquire.



                                  

28 September, 2012

Cameron Hampton


Southern Cuisine
9" x 11"
Pastel
Cameron Hampton 



Miss Cameron of  Greensboro, Georgia.

There is never any doubt that Cameron Hampton's art is looking for the edge in your mind.  Whether via her graphic novels about the Jack the Ripper murders, or her many other works on subjects from the state fair at night, to mixed media animal sculptures, to corpulent female figures, to car chases in the rain. You will learn that everything she brings to her artistic endeavors is meant to take you to a place you've never been to and make you not, well, not comfortable!

The Altered series of graphic novels takes you to the nineteenth century streets of Whitechapel, London and the era of Jack the Ripper.  Altered.  Blog of progress on the second volume, a-l-t-e-r-e-d.

Cameron says the following about Altered:

My aim is to describe the living conditions of the East Enders in London in that particular era, to understand the desperation of the people and the ladies who were to become victimized by Jack the Ripper and subsequently by gawkers, hawkers and entrepreneurs. And mostly, like all of us Ripperologist (people who study the crimes of Jack the Ripper), to ask the question by means of creating my images, what sort of person would do such a thing?

 
I am creating the Altered images mostly with my favorite medium: pastels. In my opinion, pastels are the most versatile medium. I’m also using pastels for such dark subject matter because I’d like to do everything I can to dispel the myth that pastels are a soft, pleasing, light picture medium. Normally, when I say I am a pastel painter people think I paint nauseatingly pretty pictures. I’m looking for a more truthful beauty. I don’t flinch at the horrors of the world. There is no distance between pastels and the surface I’m working on. There is immediacy to pastels and they work well with violent subject matter. No borders. No insulation. 


Cameron Hampton,  PSA, IAPS-MC, SPS, APS-ME,   is a painter, photographer, sculptor, graphic novel illustrator and author, political cartoonist, book and web designer, teacher and art gallery owner (The Hampton Fine Art Gallery in Greensboro, Georgia).

Cameron Hampton's work has been described as dark realism. She uses traditional mediums combined with modern materials and digital mediums to create dire, gritty, macabre and dark imagery.

Her latest projects are figurative works called, “ Dark Natured”, "Gothic South", a collection of photograph's of southern architecture from decaying Antebellum plantation homes to abandoned cotton mills, illustrating Edgar Allan Poe and H. P. Lovecraft’s works and "Altered," a graphic novel about Jack the Ripper and the Whitechapel Murders.




27 September, 2012

Jack The Ripper Content! Fair Warning!

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Still see pastels as the pretty medium?

Pastel work by Cameron Hampton is by no means timid.  Nor is it for the timid viewer!  The challenges begin the moment you realize the subject is murder.  To be specific, the Whitechapel murders and the unsolved cases attributed to Jack the Ripper are given the artist's treatment. Because the camera was relatively new in the day (1888), the London police used photography to record to distinctly grizzly results of these serial murders.  More is the pity, because if the camera were still to be invented, we would have had proper forensic drawings, and perhaps a little bit better evidence as a result.  

Enter the contemporary fine art of Cameron Hampton.  Her not-delicate treatments, while not intended as forensics, are instead intended to emote the feelings of inhumanity that go along with dismemberment in the streets.  Now go a step further.  Realize that technique and materials, in the hands of the artist, ascend to well more than just the sum of the parts.  Here we have an experience that says more than court records, newsprint and crude photography: it says murder in ways no other medium can say.

Tomorrow: I introduce you to Cameron.

26 September, 2012

Multi Tree Available Framed

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Multi Tree
7" x 4.5"
Pastel
Casey Klahn

flat file sale, framed
$225 plus shipping
Sold




Now you can get framed works as part of the Flat File Sale. Here is a favorite, and it is framed as pictured below.  The complete size is 15.75" x 13."




Breaking News!

When I describe pastelist and artist Cameron Hampton, of  Greensboro, Georgia, as extraordinary, I am not exaggerating in the least.  Her subjects, style and execution of her fine art pieces are unparalleled.

I will be premiering two of her works here, along with a report on her latest project, in the next day or two.  Please stay tuned.

24 September, 2012

22 September, 2012

Stories in the Trees

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Wooded Story
 4.75" x 8.25"
Pastel
Casey Klahn

flat file sale, unframed
$200
Sold

21 September, 2012

Buying Art Unframed

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This original pastel was purchased unframed from me, and then framed as shown.
How great is this frame design?  Thanks to Ken Elliott.



Sippican Cottage said:

My Intertunnel friend from the wrong coast, Casey Klahn, at work at his easel. He is a very fine artist. He exhibits a kind of bravery in his work. Boldness.
It is a solitary thing to make things, and it's always piquant to get a look at people when they're working at it. Link and video.


Matisse said:
Color exists in itself,  (and) has its own beauty.

I said:
See my works for sale here.

New website.


20 September, 2012

Now Is Your Chance

Flat File Sale Begins!

Look here at The Colorist for my daily offerings of unframed, small pastel originals.  They will be tagged "flat file sale," and supported at Facebook and Pinterest, as well.



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Dusk Horizon
3.75" x 9.75"
Pastel on la Carte
Casey Klahn
flat file sale, unframed
$150
Sold


19 September, 2012

New Website

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There ought to be artwork on each page, available works and a biographic entry: I know.  All in due time.

My flat File Sale of unframed works has begun!  Here is the first offering.

The idea is that you e-mail me if interested.  How to purchase my artwork. Also, patrons do message me on Facebook for purchase inquiries.  More to come!

13 September, 2012

Landscape With Nothing In It


Field Colors
6" x 7"
Pastel
Casey Klahn


This pastel is sold, but I am planning an online flat file sale for the near future.  Be sure to subscribe here or find me on Facebook to participate.  There will be dozens of unframed, and a few framed works, for you to look at.

Facebook.

08 September, 2012

Experimental Works

Italian Building Sketch
Casey Klahn
I did a number of these buildings based on some photos and some imagination.
This one is really as much about new pastel sticks as anything else.



Fence Remnant, Springtime
Casey Klahn
I was looking at this scene next to my barn last week, and imagining doing another pastel.  Seeing this older work, I think it's much better than what I was visualizing last week.  Weird.


These are a couple of experimental works I did last year that haven't been published at The Colorist before.  They are about 6 or 8 inches by, if I remember right.

05 September, 2012

Master Artists Links

School is back in session, and many university students find their way to The Colorist.  Over the next few days I will highlight the links and pages here with content regarding master artists.

Leonardo da Vinci, 
1452-1519

Christ Figure 
@1495


File:Firma de Leonardo Da VInci.svg

Tags at The Colorist

The Drawings
Leonardo da Vinci's Life
Wikipedia (recommended)

"Five centuries have passed, yet we still view Leonardo with awe."  Liana Bortolon.



The Colorist.

04 September, 2012

Enduring Brilliance at the PSA



Forest Pond
8" x 12"
 Pastel 
Casey Klahn


 Enduring Brilliance!
September 4 - September 28, 2012
Pastel Society of America at 40
Pastels Only Juried Exhibition
National Arts Club 
New York, New York

28 August, 2012

If Your Paintings Were Dances, What Would They Be Like?

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Studio Update.

How could there be anything more important than my kids will be back in school Wednesday?  My son will be in the Fifth grade, and my daughter fourth. From a studio perspective, though, that means I will be back at full crank with daily pastelling, and also oil painting.

The barn studio for oil painting suffered some momentum loss when we went on vacation to the coast, but I am confident that things will get back to full speed there, soon.  My next effort will be a mid-size painting, and I feel that I can play much better with that extra space on the canvas.  Reports to follow.

Although summer has kept me less active in the studio, I have made efforts to create almost daily and have moved the art forward.  I think you'll be surprised to see some of the works when I get them photographed.  

One interesting development has been the practice of working on pieces over longer periods of time.  I guess some artists describe that as rigor.  I feel that there are more things to be said, as well as some technical gems to be discovered, when one works the surface with more effort.  In some ways it hones the observational skills.

See you soon.


23 August, 2012

Ode To Blue


Low Tide, 2010.
Acrylic, collage, mixed media on paper
12.5cm x
Eric Adama


Erica Adama at CERULEAN has curated an exhibit of images from bloggers titled "Ode to Blue."  I am happy to be included, and especially because I enjoy the blue hue so much.

See Part 1 here.

Look for more posts from Eric Adama to follow.

What better way to celebrate the exhibit than to take in a little blues music at the after party?  Check it out:



21 August, 2012

Your Own Color Sense

Matisse's Palette

Trust your feelings entirely about color, and then, 
even if you arrive at no infallible color theory, you will at least have the credit of having your own color sense.” John F. Carlson.


Colorist Art at Pinterest.





20 August, 2012

Windbreak at Daily Paintworks

Windbreak
6" x 12" 
Pastel
Casey Klahn
Click on image to see full crop

Available, unframed.  Contact me via e-mail, or at Daily Paintworks.
$400

17 August, 2012

Colorist Coloring



This is the second post of an undetermined number of posts about the subject of color use.



There is some danger in this subject for both of us. For me, I risk either writing inanity, banality or nonsense. For you, probably the worst risk is that you will become convinced that these theories I write will impart some method. There will be no methodology about color use here. Just ideas, tips, and histories. That is about as good as it can get, because we enter this aware of the personal nature of one's color use, called color sense, and it is known by many who study color that people see and respond to color in a manner different each from the other. If there is any commiseration on color feelings, then these ideas are already widely known.


Some Thoughts:

  • Starting with a color idea involves, for me, either choosing one bright, pure color, or designing a color triad in my mind at the very first part of the process.
  • Reacting to the previous color involves intuitive choice, and/or some reference to known color properties, such as what compliments or what harmonizes the colors already laid down.
  • Keep looking at the work and making adjustments as you progress.
  • Respond to problems to create the harmony that you seek.

Fauvism is the first school or movement we think of when we are faced with funny color in artwork. The Fauvists were a crazy bunch of Frenchmen, mostly, who painted in the Modern era. Among their ranks were Vlamink, Rouault, Derain, and the King of the Fauves, Henri Matisse. The ideas they shared involved a reaction to earlier movements and the late  Impressionist school of thought. They wanted bright, pure colors versus enhanced local color and an explanation of light. Their work was also considered painterly in the use of bold brushstrokes.

There will be no methodology about color use here.

 
I don't seek color that is a response to local color, meaning that that I don't choose a color that is purposefully not the actual (local) color. I just choose the color I want, and usually for personal reasons. It may often be the local color, and that is perfectly okay with me, especially because I am now set to react to the color I just used. I am a terrible reactionary in the artistic sense!

This approach, I think, is better than aiming for the "wrong" color or the opposite of the local color, because these methods can be formulaic.  One is required to prejudice his choice when he will not choose the local color.

Watch here for more on color choices in future posts.

16 August, 2012

13 August, 2012

Wassily Kandinsky

Autumn in Murnau, 1908
o/p
 32.3 x 40.9 cm
Wassily Kandinsky

"THE ARTIST’S LIFE IS NOT ONE OF PLEASURE. HE MUST NOT LIVE IRRESPONSIBLY; HE HAS DIFFICULT WORK TO PERFORM, ONE WHICH OFTEN PROVES A CROWN OF THORNS. HE MUST REALIZE THAT HIS ACTS, FEELINGS, AND THOUGHTS ARE THE UNDEFINABLE BUT FUNDAMENTAL MATERIAL FROM WHICH HIS WORK IS CREATED; HE IS FREE IN ART, BUT NOT IN LIFE."  Kandinsky.


I think Kandinsky was so busy making the new painting that he rarely made the best.   But, his goal was not to please me, that's for sure.  Kandinsky, in his book Concerning the Spiritual in Art, 1911, theorized a periodic pyramid of the new in art. The main idea is that the vanguard of art, or the top of the pyramid, will be occupied in any given era by a precious few works that are ahead of their time.  A very lonesome place is Kandinsky's summit, as by definition, no one else will appreciate or understand your work.

I find a few of his works do please me, and it is a good thing to study his take on Modernism and Abstraction.  He was certainly a trend-setter and worthy of his star in art history.

Kandinsky at Wikipedia.
Wassily Kandinsky, 1866 - 1944 - friendsofart.net.
Tumblr blog dedicated to the man. Very nice resource.
Online University - extensive article and links.
Project Gutenberg - Concerning The Spiritual In Art. (I read mine via Kindle, which I do enjoy better than the PC screen.)


Kandinsky.  Always Thinking.



Abstract Expressionism, Art Criticism, Artists, Colorist Art, Drawing, History, Impressionism, Modern Art, Painting, Pastel, Post Impressionism